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rick griffin

Rick Griffin by Gordon McClellandrick griffin 1944 -1991..fue uno de los mas importantes e influyentes dibujantes y artistas  en los 60`s y 70`s,creo carteles para grupos y musicos,tambien diseño portadas de discos,comix..etc..que ya son obras de arte e historia del rock.limitada edic. de este fantasico libro con su obra en todos los terrenos en que participo

2002

27,00€

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Goldmine promo record & cd Price Guide

"Goldmine Price Guide Records " 2th edition (1999)  increible libro de 464 paginas ..si eres comprador y coleccionista es IMPRESCINDIBLE para ti,muy util para valorar lo que tienes y lo que compras sin tener dudas sobre su valor y autenticidad...!!!!! ..10.000 referencias ,promocionales 45s, 78s, LPs, LPs, EPs, 12-inch singles....y 1.100 fotografias....existencias limitadas...!!!Over 10,000 total individual promotional 45s, 78s, LPs, LLPs, EPs, 12-inch singles and sleeves and covers from 1950 to 1997 are listed. 1,100 photos.

1999

21,00€

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Virgin Encyclopedias of Popular Music Series

543 paginas

"guia, The Virgin Encyclopedia 70..  increible libro de 543 paginas ..existencias limitadas...!! !Product details Hardcover: 544 pages Publisher: Virgin Books; Rev Ed edition (8 Aug 2002) Language English ISBN-10: 1852279478 ISBN-13: 978-1852279479 Here one may relive one's youth (or learn some history) from Abba down to singer-songwriter Warren Zevon. Sartorially the decade was one of extremes: compare the tartaned Bay City Rollers to the ridiculous hippieness of Wizzard, Kiss's comic-book style, Amanda Lear's disco leather decadence, Elton John's flamboyance and the austerity of the singer-songwriters. A particular pleasure is finding information on the more obscure hitmakers like R Dean Taylor (a solitary Canadian on Tamla Motown who gave us Indiana Wants Me & Gotta See Jane), UK experimentalists like Curved Air and East Of Eden, punk pioneers like X-Ray Spex and The Adverts. The more one reads, the more addictive this book becomes and the more you realize how rich and diverse the decade was. To think that side by side with the anger of the punk revolution there existed the hedonistic abandon of Disco -- the party of the 70s! Donna Summer, Boney M, MFSB, Sylvester and the P-Funkers are all here. There is also the Woodstock generation in the form of Matthews Southern Comfort, Don McLean, James Taylor, Joni Mitchell and Melanie. Other folk artists include Steeleye Span and Fairport Convention. Megastars like David Bowie, Neil Diamond and the Bee Gees merit their many pages but it is also heartening to see little-known reggae acts like Bob & Marcia (The Pied Piper) and Dave & Ansil Collins (Double Barrel) getting a mention. By the way, anyone wants to dispute the fact that Bowie produced his best work in this decade? Think of 1975's Young Americans, 1976's Station To Staion and the electronic cycle of Low and Heroes. But the 70s was also the decade of the teenyboper and you'll find them here: The Partridge Family, David Cassidy, The Osmonds nd Leif Garrett. For sheer variety and the essence of pop, the 70s cannot be rivaled. Nmes like Dawn (Knock Three Times)evoke tender childhood memories. The entries are informative and a pleasure to read. Perhaps there could have been more extensive discographies. All in all a fascinating read for nostalgists, the music researcher and music lovers of all ages and persuasions.  

2002

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18,00€

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Goldmine Price Guide To 45 RPM Records

"Goldmine Price Guide To 45 RPM Records " 5th edition (September 2005)  increible libro de 760 paginas totalmente actualizado con 75.000 discos con sus datos,labeles y precios,singles de todos los estilos y epocas,con muchas fotografias y 16 paginas a color.etc..si eres comprador y coleccionista es IMPRESCINDIBLE para ti,muy util para valorar lo que tienes y lo que compras sin tener dudas sobre su valor y autenticidad...!!!!! ...existencias limitadas...!!!The undisputed champion of collectible vinyl is thoroughly covered in this updated and expanded edition of the most comprehensive reference on 45 records on the market. Collectors and music enthusiasts of all ages will find details about more than 75,000 American records, picture sleeves and extended play singles in Goldmine Price Guide to 45 RPM Records. Collecting enthusiasts get easy-to-follow listings, organized alphabetically by artist and priced in three grades of condition, for 45s from 1949 to the present, plus a 16-page color photo section featuring hard-to-find records and picture sleeves. In addition, a checklist format offers collectors a ready-made system for determining value and maintaining inventory, in this entertaining and informative resource.-A spectacular 16-page color photo section uncovers rare 45s -More than 75,000 listings for complete identification -Up-to-date pricing for three condition gradesThe category of records is so broad that to properly evaluate a collection you may need multiple guides. As an example, guides exits for Jazz records, personality records, 78's and, in this case, 45 RPM records. This edition adds another 5,000 listings to the previous edition for a total of 80,000 45's! Goldmine is the only guide that gives the user a more concise breakdown of the values listed by providing 3 columns based on condition. Most other guides provide this range but leave the breakdown to the reader. Goldmine starts at what is generally considered the lowest acceptable condition for true collectors (very good (VG) along with VG+ and NM (near mint). The front of the guide provides guidelines for determining some lesser values that will appeal to the large population of buyers who are more interested in the playability of the record that can occur below the VG grade. For our business this is by far the largest buying population so it's handy information if your just looking to own 45's you can play and enjoy. Bottom line - Though most top level record guides will provide values for some 45's by artist, if you have a large 45 collection (or plan one!) you will definitely want to get this guide. By not doing so you run the risk of making assumptions that may either be costly (undervaluing) or, in the case of selling them, cause a non-sale (overvaluing). Goldmine, by virtue of their involvement in the record business, can certainly be called an authority. Publisher/Book info.: Publisher: KP Books 700 East State St. Iola, WI 54990-0001 (800)-258-0929 (consumers), (888)-457-2873 ext. 880 (retailers) Book information: 2005, 760 page paperback, 8 1/2" x 11" Author: Tim Neely

2005

30,00€

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Meet The Beatles: A Cultural History Of The Band That Shook Youth, Gender, And The World

!! SOLO 5.99 !!

...existencias limitadas...!!!Book Description (en ingles)Meet The Beatles: A Cultural History Of The Band That Shook Youth, Gender, And The WorldPublisher's NoteEditorial Reviews From Publishers Weekly Journalist Stark wants to tell the story of John, Paul, George and Ringo in a "somewhat new way," focusing as much on the cultural trends that produced the Beatles—and the trends they created—as on the Fab Four themselves. He explores how the band's 1964 arrival in America coincided with both the adolescent explosion of the baby boomers and the cultural void left by Kennedy's assassination. He then backtracks to the Beatles' childhoods in Liverpool, a city with traditions of absent fathers, strong mothers and permissive attitudes toward androgyny—all major elements in the Beatles' music. Their moptop haircuts? A combination of "mild gender-bending" and German art college chic. Their trademark wit? Inspired by the Goon Show, a popular BBC radio program. Their long-term impact? Practically impossible to overestimate, as Stark finds their influence on '60s protest movements, drug culture, women's liberation and more. Stark provides a thorough biography of the band and includes bits of trivia, such as the band's 1960 gig playing backup to a stripper. Throughout, Stark is sharp and insightful, even when he wades into the psychoanalytic waters of the John/Yoko and Paul/Linda relationships. Photos. Agent, Nat Sobel. (June 1) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The Washington Post's Book World/washingtonpost.com "It was really just pushing frontiers, that's all we were doing," Paul McCartney told an interviewer in 1988. But exactly which frontiers did McCartney and his band mates in the Beatles -- founder John Lennon, George Harrison and Ringo Starr -- push during the eight years they recorded together, beginning in 1962? What was it about the brilliant lads from Liverpool, their backgrounds, personalities, appearance and outlook, that enabled them to succeed so wildly? And what effects did their challenge to the established order unleash across the universe, both in their own time and over the three decades that have passed since their acrimonious breakup in 1970? These and other inherently elusive questions about modern history's most influential entertainers preoccupy Meet the Beatles, by Steven D. Stark. An acclaimed pop culture commentator for NPR and CNN, Stark has produced a volume worthy of his subjects, treating the band with the seriousness that a phenomenon of its magnitude warrants. Thus highbrow literary allusions (Keats, Wordsworth, Paglia) find easy companionship alongside quotations from rock periodicals such as Mersey Beat and Crawdaddy. Stark also spent considerable time in Liverpool and conducted more than 100 interviews with figures ranging from Yoko Ono to screaming fans relegated to the upper tiers of Shea Stadium (both surviving Beatles declined to be interviewed). The result is a highly readable, though by no means exhaustive, recapitulation of the band's improbable rise from the bleak, bombed-out streets of postwar Liverpool to the pinnacle of all media -- "entry into the modern mind," as writer Mikal Gilmore put it. What makes Stark's book new and noteworthy is his emphasis on gender issues. This was not a wholly unpredictable development. With the passage of time and the deaths of Lennon and Harrison, the Beatles inevitably became the stuff of academic literature, both detached and politicized. Someday (when we're dreaming), the boys' complete rehearsal sessions will be available for scholarly review and Beatles Studies Departments will flourish accordingly, all as prelude to an even deeper Beatlification, wherein all four -- yes, Ringo, too -- will be regarded not merely as supremely gifted performance geniuses, but also as singularly foresighted evangelists, Thinkers on a par with Christ -- as Lennon so audaciously observed in 1966, when he pronounced his band more popular than Jesus -- Marx and Freud. "The Beatles helped feminize the culture," Stark writes, in part because they usually "displayed a more sympathetic attitude to women in their songs than most other rock writers." In addition, the band "not only sounded and looked feminine because of their style and their hair; they were more feminine in their group dynamic." Key to this inadvertent revolution were the deaths of Lennon's and McCartney's mothers when each Beatle was still in his teens (the "Julia" and "Mother Mary" immortalized on the "White" and "Let It Be" albums, respectively). These deeply traumatic events had the effect, Stark argues, of repeatedly driving both composers toward strong women who shaped them at every turn: Mona Best, mother of early drummer Pete and provider of the band's first regular gigs, at the Casbah Club she founded in her basement; Astrid Kirchherr, the German ingénue who gave the boys their distinctive haircuts and pushed them in the direction of her own black-leather art house sophistication; and later, Yoko Ono and Linda Eastman, indomitable personalities who, at the close of the '60s, with Lennon and McCartney already drifting apart, "tended to spur their partners in opposite directions from one another, almost acting like lawyers in an ongoing dispute." Then there was the Beatles' most seminal influence: Brian Epstein, the upper-class closet homosexual who became their manager and catapulted them from the proto-punk mayhem of their Hamburg and Cavern Club performances to the more lucrative realm of recording studios, "The Ed Sullivan Show," world tours and "matching, somewhat unisex, collarless suits" -- costumes Stark suggests "tended to gloss over, rather than emphasize, any traditionally masculine elements of male appearance." The Beatles, we read, were uniquely tolerant, even embracing, of homosexuality, because they hailed, first, from England, where a long tradition of same-sex education encouraged cross-dressing in school plays and boarding school buggery, and more specifically from Liverpool, a port city whose "booming gay subculture" adopted the codes of life at sea, "where the repressive English laws against sodomy were rarely enforced" and sailors propagated "the notion that a man can be both macho and effeminate." Surely Stark is on to something that other appraisers of the group's appeal have either overlooked or ignored; in writing that the Beatles "challenged the definition that existed during their time of what it meant to be a man," the author rightly draws attention to the unmistakable difference between the laid-back way in which the four Englishmen became the world's most desperately desired men and the exaggerated simulations of sexual potency to which Elvis Presley resorted, a decade earlier, to achieve the same effect. In fact, the Beatles' throngs of female fans were larger, louder and lustier than those who greeted Presley. But was this the key to the Beatles' success? To accord such insights the prominence they enjoy in Meet the Beatles is like arguing that Michael Jordan's success derived not from his athletic prowess, but from his baldness -- unique, to be sure, integral, perhaps, but not central. It was, in the end, the Beatles' singularly exciting sound -- their reinvention of rock-and-roll, their fusion of disparate influences and styles, their blend of mordancy and humor, their entrancing voices and peerless craftsmanship -- yes, Ringo, too -- that explained their unprecedented success and enduring legend. The bottom line: Nobody did it better. Stark's impressive command of his material leads to fresh insights into every phase of the Beatles' career, but his fixation on gender issues undermines his work. He also presents highly questionable criticism of individual songs and albums. Of the "Please Please Me" single, released in 1963, Stark writes that it was the vocals and "utterly uncommon harmonies," and not the "rather simple instrumentation," that made the song a hit. Fans who have long thrilled to Ringo's machine-gun attack on that cut, unlike anything heard in rock-and-roll drumming to that point, might beg to differ. Likewise with Stark's claim that in the group's final three albums the "rage and disillusionment of the [late-'60s] era . . . were almost absent." "Helter Skelter" and "I, Me, Mine" are hardly lullabies. Finally, despite a lengthy bibliographical appendix, Stark seldom provides a specific citation for the thousands of factual assertions and quotes that form the corpus of his book. More times than a patient reader can stand, we are told that a Beatle "once said" something, or that, even more vaguely, "one observer" did. If Stark believes the Beatles deserve serious academic treatment, then their remarks, and remarks about them, deserve rigorous attribution in the form of traceable footnotes or endnotes. While we have no reason to doubt the author's claim that he worked diligently to "separate fact from fiction" -- an almost impossible task in the case of the Beatles -- his cavalier way with facts and quotes engenders suspicion as to whether Paul or George really "once said" all the things Stark attributes to them. When did Paul say, for example, "We're all really the same person. We're just four parts of the one"? Was it in 1964 -- or 1969? And wouldn't that context be crucial? What Stark lacks in methodology, he makes up in seriousness of purpose. Meet the Beatles is a thoughtful, provocative and ultimately valuable contribution to the literature of the Beatles, if only because it points the way to its future. As the likelihood of developing new factual information about the Liverpudlians grows ever fainter -- a trend with which biographers of Jesus, Marx and Freud are painfully familiar -- the field will increasingly consist of interpretive studies like Stark's, examining specific subjects and themes, some heretofore hidden from view and ripe for reconsideration, that recur in the Beatles' entwined lives and canon. And you know that can't be bad. Reviewed by James Rosen Copyright 2005, The Washington Post Co. All Rights Reserved.

2005

12,00 €

5,99€

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Goldmine Record Album Price Guide

ULTIMA EDICION POR AHORA.. 5TH EDICION DE PARA MI LA MEJOR GUIA DE PRECIOS !!"Goldmine Record Album Price Guide " increible libro de 700 paginas totalmente actualizado con 70.000 discos DE 1948 AL 2007 con sus datos,labeles y precios,discos de todos los estilos y epocas,con muchas fotografias y 16 paginas a color,400 FOTOS..etc..si eres comprador y coleccionista es IMPRESCINDIBLE para ti,muy util para valorar lo que tienes y lo que compras sin tener dudas sobre su valor y autenticidad...!!!!! ...existencias limitadas...!!!Editorial Reviews Book Description Access up-to-date listings for nearly 60 years of vinyl albums. Explore the most comprehensive collection of record album details anywhere. The ability to accurately identify and assess vinyl can make the difference between paying too much and selling albums for far too little; and the one guide helping to empower you with these abilities is Goldmine Record Album Price Guide. The best-selling record price guide on the market, this new edition contains listings and collector pricing for 70,000 vinyl albums recorded between 1948 and the present. With up-to-date collector values and basic descriptions, this guide covers most genres of record collecting, including rock `n' roll, country, surf, punk, jazz, classical and more. About the Author Tim Neely is book editor and research director of Goldmine? magazine. He has written Goldmine? Standard Catalog of American Records 1950-1975, Goldmine? Records & Prices, and more than a dozen other record collecting books. His personal collection contains more than 20,000 records. He lives in Iola, Wisconsin. --This text refers to an out of print or unavailable edition of this title. Goldmine® Record Album Price Guide has the detailed descriptions and current prices you need to determine what your vinyl is worth. From Abba to ZZ Top, you'll find your favorite vinyl LPs and their variations. This massive reference also features the industry-standard Goldmine® condition grading guide, valuable tips on buying and selling records, and a detailed guide listing record company labels, numbering systems, and production years. 70,000 vinyl LPs from 1948 to 2007 Detailed listings with up-to-date values 400 photos Essential information on grading, buying and selling records

2007

29,99€

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like the night - revisited

!! SOLO 5.99 !!

GRAN PRECIO...existencias limitadas...!!!En Like the night de C.P. Lee (una crónica reciente de la gira europea que se detiene en Manchester, la actuación en la ciudad natal del autor) las fotos muestran rostros que observan absortos a pocos pasos detrás de la batería, y que literalmente rodean a la banda.(en ingles)

2005

12,00 €

5,99€

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The NPR Curious Listener's Guide to Blues

...existencias limitadas...!!!http://www.allaboutjazz.com/php/article.php?id=17521Product Details Paperback: 288 pages Publisher: Perigee Trade (February 1, 2005) Language: English ISBN-10: 039953072X ISBN-13: 978-0399530722 Resumen: Blues (NPR Curious Listener's Guide). Examining the changing face of the genre from its beginnings at the end of the 19th century to its international popularity today, this book traces the social climate that inspired the blues and takes a look at the unmistakable influences that blues had on 20th-century music. Includes information on performances from Muddy Waters to Eric Clapton.National Public Radio has published "curious listener's" guides to a number of musical types, including classical, opera, folk, popular, and celtic. With its recent, "The NPR Curious Listener's Guide to Blues" (2005), NPR offers a sympathetic, thoughtful, and broad-based guide to a uniquely American and African American music. The author, David Evans, is Professor of Music at the University of Memphis where he has designed a program in ethnomusicology with a specific specialization in southern folk and popular music. He has written widely on the blues and received a Grammy in 2003 for his liner notes to a seven-CD collection, "Screamin' and Hollering the Blues, The Worlds of Charley Patton." Although the blues have received much popular attention in recent years, it is gratifying to see the increased amount of serious, scholarly study that the music is receiving. It is long overdue. Evans has written an introductory account of the blues that will, indeed, whet the appetite of the new listener, but he has done much more. He treats the music seriously, with an obvious love, and without stereotyping or hype. There is much to be learned from his book about the music, its history, its performers, and its place in American life. The "blues" are notoriously difficult to define or to categorize, but Evans stresses that "[a]bove all else, blues music is about conveying personal feeling and, in so doing, reaching others and establishing a sense of life-affirming solidarity." (p. 165) With all its learning, this book keeps the emotional, personal core of the music at its center. Evans also describes in succinct, non-technical language the formal characteristics of the blues, the use of blue notes and chordal patterns, and the various types of interplay in the blues between vocal and instrumental lines. A chapter titled "the Language of the Blues" offers good basic guidance not only to the blues but to elementary music theory as well. The early chapters of the book offer discussions of the origins of the blues near the beginning of the 20th century, and of its pioneer recordings. He discusses the varieties of the blues that have developed in its now century-long history, including the classic or vaudeville blues, country, folk blues, swing, and jump, electric blues, Chicago blues and much else through the appropriation of much of the blues sound by British and American rock and roll performers. Evans also offers three related chapters giving biographies of many famous blues artists, detailed discussions of fifty blues songs, chosen for their excellence and representative character, and fifty blues CDs. These songs and CDs are well-chosen and non-dogmatically presented. They will give the new listener a cross-section of the types of music and artists that have formed the blues. The lists will form the basis for endless listening and enjoyment and will encourage the new listener to explore the blues further. Evans's concluding chapter includes a guide to books, magazines and websites devoted to the blues. This book will appeal both to newcomers to the blues and to those who know and love the music. Most importantly, Evans shows the reader that the blues are not merely a product of "pop" culture, but rather are a serious, influential and passionate American music that will amply repay attention and study. Robin Friedman

2005

11,99€

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the art of the beatles

RARO, 80 PAG. !! COLLECTORS !!

SE TRATA DE UN LIBRO CATALOGO,1ª EDIC. QUE SE EDITO EN 1984 PARA EXPOSICION DE ARTICULOS REALACIONADOS CON EL GRUPO EN LA GALERIA WALKER ART GALLERY DE LIVERPOOL,TODAS LAS FOTOGRAFRIAS ESTAN PERFECTAMENTE EXPLICADAS Y COMENTADAS CON DETALLES.MUY COLECCIONABLE PARA CUALQUIER BUEN FAN,LA HISTORIA DE BEATLES ESTA AQUI !! THE ART OF THE BEATLES ‘Liverpool: Walkers Gallery' Original 1st Issue 1984 ‘Merseyside Council' Published A4 Size Softback Exhibition Book Looking At Rare ‘Beatles' Memorabilia (Photo's, Art, Records Etc), The Book Has 80 Heavy Gauge Paper Pages And Carries Numerous Colour And B/W Photos Of The Exhibits On Display With Text To Accompany. The Book Was Pressed For An Exhibition That Was Being Shown At The 'Walker Gallery' (Liverpool) Between May 1984 Till September 1984. Measures 280mm x 210mm And Comes To Auction In Excellent Condition (Unclipped).

1984

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24,00€

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the love you make

448 paginas !!

...existencias limitadas...!!!Book Description (en ingles)About this title: Brown, a close friend of the band, looks at the four lads from Liverpool who became the music phenomenon of the 20th century. Written with the cooperation of the group's members, this book goes beyond the glitter to tell the inside story of the music, the marriages, the drugs, disagreements, and divorces. photosEditorial Reviews From Publishers Weekly Nearly two decades after its initial publication, this behind-the-scenes tale reappears in paperback (after all, didn't Rolling Stone say it would "sell forever"?). One of the suit men--as the Beatles dismissively, often with good reason, called the folk who saw to their business affairs--recreates the well-known saga of Beatlemania but does it dispassionately enough to make it interesting. Brown, who directed the Beatles management firm NEMS and later their disastrous financial organization Apple, seems to have survived the experience unscathed, the purges, rancor, glamour, notoriety, the dishonesty, jealousy and infighting among all those who wanted a piece of the action, or a bigger cut, which eventually came to include the musicians themselves as the group began to split apart. While seeming to be objective, he leaves little doubt about his preferences as he discusses the Beatles individually, their parents and in-laws, wives and lovers, probing the personalities to show us the underside of the pop culture with its sleazy pursuit of the big buck. There are revelations about John and Yoko and about their drug addiction, but the material is otherwise pretty familiar. Still, it's a dramatically good story and Brown catches us with the headiness of it all--and Gaines's now well-known name and a new foreword by rock critic Anthony DeCurtis may spark a little extra interest. Copyright 2002 Reed Business Information, Inc. Washington Post Book World The best backstage memoir yet of the most amazing musical phenomenon of our times. Table Of Contents Foreword xi Introduction xix  Chapter One 1(27) Cynthia Lennon's Rude Awakening  Romance Blooms in Liverpool  John Lennon's Childhood: Double Desertion  Aunt Mimi and Mendips  The Skiffle Craze  John Meets Paul McCartney  Paul as a Young Boy  Chapter Two 28(22) The Scene at the ``Jac''  Stu Sutcliffe  Baby George Harrison Joins the Beat Scene  Johnny and the Moondogs on the Circuit  Hamburg, a Sexual Disneyland  Johnny and the Moondogs Become the Beatles  Return to Liverpool and a New Professionalism  Chatper Three 50(26) Brian Epstein: A Stranger in a Strange Land  Brian Discovers the Beatles  Brian Smitten  Under New Management: The Big Image Change  The Recording Contract  Cynthia's Desperate Play  John Marries Cynthia  Chapter Four 76(17) Pete Best Forever---Ringo Never  Richard Starkey's Bit Part  ``From Me to You''  The NEMS Stable Begins  Julian Lennon Is Born  Brian and John Tryst in Spain  Paul Meets Jane Asher  Ringo Meets Maureen Cox  Chatper Five 93(11) London: Sunday Night at the Palladium and the Royal Command Performance  Brian to New York  The Beatles and Company Move to London  Chapter Six 104(15) An American Beachhead: The Ed Sullivan Show  The Seltaeb Fiasco  Chapter Seven 119(16) Swinging London  A Hard Day's Night  George Meets Pattie Boyd  John In His Own Write  Brian's Cellarful of Noise  Paul's Pocketful of Lawsuits  Chapter Eight 135(16) The Bon Voyage Party  First American Assault  Bob Dylan and the Great Turn-On  Nat Weiss  Brian Blows a Fuse  Chapter Nine 151(18) Kenwood  Ringo Becomes a Daddy  Help! and the Great Tax Dodge  Have a Sugar Cube  NEMS Branches Out  The Saville Theater  Brian's Discontent: Enter Dizz  The Beatles at the Palace  Chapter Ten 169(12) Aunt Mimi Gets a House  The Second American Tour  The L.A. Acid Trip  Dizz Gets a Car  Chapter Eleven 181(20) Splitting Up the Pie  From Black and White to Color: Rubber Soul and Revolver  Tokyo and Manila: Terror on the Road  Brian's Balance Tips  The ``Bigger than Jesus'' Scandal  The Beatles' Third American National Tour  Dizz Gillespie's Coup de Grace  Chapter Twelve 201(18) The Four-headed Hydra  John's Discontent  On the Loose in London  Magic Alex  John Meets Yoko Ono  Brian's Downhill Slide  The Stigwood Deal  Chapter Thirteen 219(32) Paul Discovers America  Brian's Sleepless Sleepcure  Sergeant Pepper's Lonely Hearts Club Band  The Arrival of Linda Eastman  The Kingsley Hill Acid Party  The Haight-Ashbury Hate Trip  The Beatles Go Greek  The Beatles Go India: Introducing the Maharishi  The Final Demise of Brian Epstein  Chapter Fourteen 251(19) The Magical Mystery Tour  The Seeds of Apple  From Here to the Himalayas: The Untold Story of Rishikesh  Escape from India  John's Confession D'Amour  Chapter Fifteen 270(21) Yoko in the Limelight  A Messy Divorce  John and Yoko Retreat: The Heroin Days  Paul McCartney's Black and White Minstrel Show  Jane Asher Makes a Nasty Discovery  The Apple Pie: A Piece for Everyone  The White Album  Chapter Sixteen 291(10) Targets of the People: John and Yoko on the Cross  Two Virgins  Won't You Please Let It Be  Chapter Seventeen 301(24) Eastman and Eastman Meet the Beatles  Allen Klein Meets the Beatles and Eastman and Eastman  The NEMS Battle  The Setup of Pattie and George  John and Yoko's Quickie Wedding  Peace: The Amsterdam Bed-in  A Call to Arms: The Northern Songs Battle  The Only Winner Is Klein  Chapter Eighteen 325(28) The Power of Publicity: John and Yoko Go Public  ``Cold Turkey''  Toronto Rock and Roll Festival  John Off the Edge  In Pursuit of Peace and Kyoko in Denmark  John Discovers Dr. Janov  John and Yoko Discover L.A.  Paul Is Dead but Alive and Well in Scotland  McCartney, Abbey Road and Let It Be  And in the End  Chapter Nineteen 353(22) George, Ringo, and Paul---From Then Till Now  Chapter Twenty 375(21) The Search for Kyoko  John and Yoko Discover New York  John and the White House Follies  Uncle Sam Wants You Out  Paranoia Runs Deep  The L.A. Lost Weekend: 18 Months in Hell  Together Again  Chapter Twenty-One 396(11) The Househusband Years: John as a Father  The Dakota Hermitage  The Big Comeback: Starting Over  Mark David Chapman  The Spirit of Yoko Ono Index 407  SynopsisA close friend and business manager for the legendary group portrays the personal lives of the members of the Beatles, from their youth in Liverpool to their rise to success in the world of pop music to the death of John Lennon in 1980. Reprint.

2002

14,99 €

7,50€

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chronicles, volume one

293 pag. !! NUEVO !!!!! ULTIMA COPIA !!

...existencias limitadas...!!!Book Description (en ingles) nuevo !! Revelador, poético, apasionado e ingenioso, este primer volumen de las memorias es una ventana fascinante a las ideas de Bob Dylan y las influencias que lo marcaron.La voz de Dylan es inconfundiblemente americana: de espíritu generoso, comprometida, fantasiosa y rítmica.Las incomparables dotes de narrador y la exquisita expresividad que constituyen el sello distintivo de su música hacen de Crónicas una reflexión penetrante sobre la vida y sobre las personas y los lugares que moldearon al hombre y su arte. Dylan alterna observaciones elegiacas con retazos de recuerdos aderezados con comentarios agudos e incisivos. Los relatos de sus incursiones a otros lugares como Nueva Orleans, Woodstock, Minnesota y el Oeste convierten a Crónicas en un vívido recordatorio personal de una época irrepetible.Esta obra se complementa magníficamente con Bob Dylan: El Álbum 1956-1996, libro de recuerdos interactivos para el lector que acompaña al documental de Martin Scorsese "No direction home: Bob Dylan",

2005

18,00 €

14,99€

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proof

TAPA DURA, 132 PAG. !! Bob Dylan The Grateful Dead Janis Joplin THE Beatles .. NUEVO !!

SENSACIONAL LIBRO DE FOTOGRAFIAS DEL MAS GRANDE FOTOGRAFO DE TODOS LOS TIEMPOS DEL ROCK..!!GRAN TAMAÑO,LUJOSA EDICION CON TAPAS DURAS Y PAPEL DE GRAN CALIDAD..IMPRESCINDIBLE !!!!., es nuevo !! JIM MARSHALL A ESTADO PRESENTE EN LOS MAS IMPORTANTES ACONTECIMIENTOS DEL LA HISTORIA DEL ROCK,EL REGISTRO CON SU CAMARA MOMENTOS E IMAGENES UNICAS,IRREPETIBLES Y QUE SEGURO PASARAS HORAS CONTENPLANDO. Mencionar juntos a Bob Dylan, The Beatles, Johnny Cash, Rolling Stones, Neil Young, Ray Charles, Thelonius Monk, John Coltrane, Miles Davis y Jimi Hendrix es tomar un puñado de la mejor música popular que se haya hecho durante el siglo pasado. Jim Marshall, el hombre que inspira este reportaje, los fotografió a todos ellos en algún momento de su carrera.

2004

60,00 €

40,00€

Portada

rolling thunder logbook

SAM SHEPARD 192 paginas, PRECINTADO !

...existencias limitadas...!!! FASCINATE DOCUMENTO ESCRITO POR EL GRAN Sam Shepard NARRA LA GIRA MAS FAMOSA Y CONTROVERTIDA DE DYLAN DURANTE SUS 22 ONCIERTOS ACOMPAÑADO POR Joni Mitchell, Joan Baez, Mick Ronson, Allen Ginsberg,ETC....(en ingles)

2005

14,99 €

5,99€