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Meet The Beatles: A Cultural History Of The Band That Shook Youth, Gender, And The World

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...existencias limitadas...!!!Book Description (en ingles)Meet The Beatles: A Cultural History Of The Band That Shook Youth, Gender, And The WorldPublisher's NoteEditorial Reviews From Publishers Weekly Journalist Stark wants to tell the story of John, Paul, George and Ringo in a "somewhat new way," focusing as much on the cultural trends that produced the Beatles—and the trends they created—as on the Fab Four themselves. He explores how the band's 1964 arrival in America coincided with both the adolescent explosion of the baby boomers and the cultural void left by Kennedy's assassination. He then backtracks to the Beatles' childhoods in Liverpool, a city with traditions of absent fathers, strong mothers and permissive attitudes toward androgyny—all major elements in the Beatles' music. Their moptop haircuts? A combination of "mild gender-bending" and German art college chic. Their trademark wit? Inspired by the Goon Show, a popular BBC radio program. Their long-term impact? Practically impossible to overestimate, as Stark finds their influence on '60s protest movements, drug culture, women's liberation and more. Stark provides a thorough biography of the band and includes bits of trivia, such as the band's 1960 gig playing backup to a stripper. Throughout, Stark is sharp and insightful, even when he wades into the psychoanalytic waters of the John/Yoko and Paul/Linda relationships. Photos. Agent, Nat Sobel. (June 1) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The Washington Post's Book World/washingtonpost.com "It was really just pushing frontiers, that's all we were doing," Paul McCartney told an interviewer in 1988. But exactly which frontiers did McCartney and his band mates in the Beatles -- founder John Lennon, George Harrison and Ringo Starr -- push during the eight years they recorded together, beginning in 1962? What was it about the brilliant lads from Liverpool, their backgrounds, personalities, appearance and outlook, that enabled them to succeed so wildly? And what effects did their challenge to the established order unleash across the universe, both in their own time and over the three decades that have passed since their acrimonious breakup in 1970? These and other inherently elusive questions about modern history's most influential entertainers preoccupy Meet the Beatles, by Steven D. Stark. An acclaimed pop culture commentator for NPR and CNN, Stark has produced a volume worthy of his subjects, treating the band with the seriousness that a phenomenon of its magnitude warrants. Thus highbrow literary allusions (Keats, Wordsworth, Paglia) find easy companionship alongside quotations from rock periodicals such as Mersey Beat and Crawdaddy. Stark also spent considerable time in Liverpool and conducted more than 100 interviews with figures ranging from Yoko Ono to screaming fans relegated to the upper tiers of Shea Stadium (both surviving Beatles declined to be interviewed). The result is a highly readable, though by no means exhaustive, recapitulation of the band's improbable rise from the bleak, bombed-out streets of postwar Liverpool to the pinnacle of all media -- "entry into the modern mind," as writer Mikal Gilmore put it. What makes Stark's book new and noteworthy is his emphasis on gender issues. This was not a wholly unpredictable development. With the passage of time and the deaths of Lennon and Harrison, the Beatles inevitably became the stuff of academic literature, both detached and politicized. Someday (when we're dreaming), the boys' complete rehearsal sessions will be available for scholarly review and Beatles Studies Departments will flourish accordingly, all as prelude to an even deeper Beatlification, wherein all four -- yes, Ringo, too -- will be regarded not merely as supremely gifted performance geniuses, but also as singularly foresighted evangelists, Thinkers on a par with Christ -- as Lennon so audaciously observed in 1966, when he pronounced his band more popular than Jesus -- Marx and Freud. "The Beatles helped feminize the culture," Stark writes, in part because they usually "displayed a more sympathetic attitude to women in their songs than most other rock writers." In addition, the band "not only sounded and looked feminine because of their style and their hair; they were more feminine in their group dynamic." Key to this inadvertent revolution were the deaths of Lennon's and McCartney's mothers when each Beatle was still in his teens (the "Julia" and "Mother Mary" immortalized on the "White" and "Let It Be" albums, respectively). These deeply traumatic events had the effect, Stark argues, of repeatedly driving both composers toward strong women who shaped them at every turn: Mona Best, mother of early drummer Pete and provider of the band's first regular gigs, at the Casbah Club she founded in her basement; Astrid Kirchherr, the German ingénue who gave the boys their distinctive haircuts and pushed them in the direction of her own black-leather art house sophistication; and later, Yoko Ono and Linda Eastman, indomitable personalities who, at the close of the '60s, with Lennon and McCartney already drifting apart, "tended to spur their partners in opposite directions from one another, almost acting like lawyers in an ongoing dispute." Then there was the Beatles' most seminal influence: Brian Epstein, the upper-class closet homosexual who became their manager and catapulted them from the proto-punk mayhem of their Hamburg and Cavern Club performances to the more lucrative realm of recording studios, "The Ed Sullivan Show," world tours and "matching, somewhat unisex, collarless suits" -- costumes Stark suggests "tended to gloss over, rather than emphasize, any traditionally masculine elements of male appearance." The Beatles, we read, were uniquely tolerant, even embracing, of homosexuality, because they hailed, first, from England, where a long tradition of same-sex education encouraged cross-dressing in school plays and boarding school buggery, and more specifically from Liverpool, a port city whose "booming gay subculture" adopted the codes of life at sea, "where the repressive English laws against sodomy were rarely enforced" and sailors propagated "the notion that a man can be both macho and effeminate." Surely Stark is on to something that other appraisers of the group's appeal have either overlooked or ignored; in writing that the Beatles "challenged the definition that existed during their time of what it meant to be a man," the author rightly draws attention to the unmistakable difference between the laid-back way in which the four Englishmen became the world's most desperately desired men and the exaggerated simulations of sexual potency to which Elvis Presley resorted, a decade earlier, to achieve the same effect. In fact, the Beatles' throngs of female fans were larger, louder and lustier than those who greeted Presley. But was this the key to the Beatles' success? To accord such insights the prominence they enjoy in Meet the Beatles is like arguing that Michael Jordan's success derived not from his athletic prowess, but from his baldness -- unique, to be sure, integral, perhaps, but not central. It was, in the end, the Beatles' singularly exciting sound -- their reinvention of rock-and-roll, their fusion of disparate influences and styles, their blend of mordancy and humor, their entrancing voices and peerless craftsmanship -- yes, Ringo, too -- that explained their unprecedented success and enduring legend. The bottom line: Nobody did it better. Stark's impressive command of his material leads to fresh insights into every phase of the Beatles' career, but his fixation on gender issues undermines his work. He also presents highly questionable criticism of individual songs and albums. Of the "Please Please Me" single, released in 1963, Stark writes that it was the vocals and "utterly uncommon harmonies," and not the "rather simple instrumentation," that made the song a hit. Fans who have long thrilled to Ringo's machine-gun attack on that cut, unlike anything heard in rock-and-roll drumming to that point, might beg to differ. Likewise with Stark's claim that in the group's final three albums the "rage and disillusionment of the [late-'60s] era . . . were almost absent." "Helter Skelter" and "I, Me, Mine" are hardly lullabies. Finally, despite a lengthy bibliographical appendix, Stark seldom provides a specific citation for the thousands of factual assertions and quotes that form the corpus of his book. More times than a patient reader can stand, we are told that a Beatle "once said" something, or that, even more vaguely, "one observer" did. If Stark believes the Beatles deserve serious academic treatment, then their remarks, and remarks about them, deserve rigorous attribution in the form of traceable footnotes or endnotes. While we have no reason to doubt the author's claim that he worked diligently to "separate fact from fiction" -- an almost impossible task in the case of the Beatles -- his cavalier way with facts and quotes engenders suspicion as to whether Paul or George really "once said" all the things Stark attributes to them. When did Paul say, for example, "We're all really the same person. We're just four parts of the one"? Was it in 1964 -- or 1969? And wouldn't that context be crucial? What Stark lacks in methodology, he makes up in seriousness of purpose. Meet the Beatles is a thoughtful, provocative and ultimately valuable contribution to the literature of the Beatles, if only because it points the way to its future. As the likelihood of developing new factual information about the Liverpudlians grows ever fainter -- a trend with which biographers of Jesus, Marx and Freud are painfully familiar -- the field will increasingly consist of interpretive studies like Stark's, examining specific subjects and themes, some heretofore hidden from view and ripe for reconsideration, that recur in the Beatles' entwined lives and canon. And you know that can't be bad. Reviewed by James Rosen Copyright 2005, The Washington Post Co. All Rights Reserved.

2005

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5,99€

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the long and winding road

RARO, APPLE FRANCE !! THE BEATLES !!

RARA SINGLE EN APPLE RECORDS EDIT. EN FRANCIA APPLE mnfd in France by PATHE MARCONI, 1976 OLDIES GOODIES series, w/ FIRST RELEASE on corner

1976

13,50€

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the beatles, revolver, sand

bolsa de tela

EXTRA 100% ALGONDON , ARTICULO NUEVO, NUNCA USADO !!

8,50€

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the beatles, yellow submarine, sand

bolsa de tela

EXTRA 100% ALGONDON , ARTICULO NUEVO, NUNCA USADO !!

8,50€

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1962 1966

APPLE, DOBLE LP + RARO INSERTO !! THE BEATLES !!

ESTUPENDA EDIC. ORIG. USA EN LA MAS DIFICIL EDIC. CON EL LABEL APPLE.SOLIDA DOBLE CARPETA,CONTIENE LOS DOS ENCARTES CON LOS TEXTOS..ETC..EL ESTADO DE LOS DISCOS ES INCREIBLE,IMPECABLES !

1973

30,00€

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the beatles, sgt peppers

CAMISETA S-M-L-XL-XXL

14,99€

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the beatles, sgt peper, turquesa women

CAMISETA S-M-L-XL

14,99€

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love for sale

RARO !! EDIC. ORIG. TAIWAN, VINILO NARANJA !! THE BEATLES !!

ULTRA RARA EDIC ORIG TAIWAN, FL - 1157 VIILO COLOR NARANJA, CARPETA ESTA COMO ASI SON LA EDICIONES DE ESTE PAIS VIENE PLASTIFICADA.SE TRATA DE LA EDIC COMPLETA YA QUE ADEMAS CONTIENE UN ENCARTE ORIG CON LAS LETRAS DE LOS TEMAS !!..COLLECTORS !!!

1964

60,00€

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the art of the beatles

RARO, 80 PAG. !! COLLECTORS !!

SE TRATA DE UN LIBRO CATALOGO,1ª EDIC. QUE SE EDITO EN 1984 PARA EXPOSICION DE ARTICULOS REALACIONADOS CON EL GRUPO EN LA GALERIA WALKER ART GALLERY DE LIVERPOOL,TODAS LAS FOTOGRAFRIAS ESTAN PERFECTAMENTE EXPLICADAS Y COMENTADAS CON DETALLES.MUY COLECCIONABLE PARA CUALQUIER BUEN FAN,LA HISTORIA DE BEATLES ESTA AQUI !! THE ART OF THE BEATLES ‘Liverpool: Walkers Gallery' Original 1st Issue 1984 ‘Merseyside Council' Published A4 Size Softback Exhibition Book Looking At Rare ‘Beatles' Memorabilia (Photo's, Art, Records Etc), The Book Has 80 Heavy Gauge Paper Pages And Carries Numerous Colour And B/W Photos Of The Exhibits On Display With Text To Accompany. The Book Was Pressed For An Exhibition That Was Being Shown At The 'Walker Gallery' (Liverpool) Between May 1984 Till September 1984. Measures 280mm x 210mm And Comes To Auction In Excellent Condition (Unclipped).

1984

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24,00€

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the love you make

448 paginas !!

...existencias limitadas...!!!Book Description (en ingles)About this title: Brown, a close friend of the band, looks at the four lads from Liverpool who became the music phenomenon of the 20th century. Written with the cooperation of the group's members, this book goes beyond the glitter to tell the inside story of the music, the marriages, the drugs, disagreements, and divorces. photosEditorial Reviews From Publishers Weekly Nearly two decades after its initial publication, this behind-the-scenes tale reappears in paperback (after all, didn't Rolling Stone say it would "sell forever"?). One of the suit men--as the Beatles dismissively, often with good reason, called the folk who saw to their business affairs--recreates the well-known saga of Beatlemania but does it dispassionately enough to make it interesting. Brown, who directed the Beatles management firm NEMS and later their disastrous financial organization Apple, seems to have survived the experience unscathed, the purges, rancor, glamour, notoriety, the dishonesty, jealousy and infighting among all those who wanted a piece of the action, or a bigger cut, which eventually came to include the musicians themselves as the group began to split apart. While seeming to be objective, he leaves little doubt about his preferences as he discusses the Beatles individually, their parents and in-laws, wives and lovers, probing the personalities to show us the underside of the pop culture with its sleazy pursuit of the big buck. There are revelations about John and Yoko and about their drug addiction, but the material is otherwise pretty familiar. Still, it's a dramatically good story and Brown catches us with the headiness of it all--and Gaines's now well-known name and a new foreword by rock critic Anthony DeCurtis may spark a little extra interest. Copyright 2002 Reed Business Information, Inc. Washington Post Book World The best backstage memoir yet of the most amazing musical phenomenon of our times. Table Of Contents Foreword xi Introduction xix  Chapter One 1(27) Cynthia Lennon's Rude Awakening  Romance Blooms in Liverpool  John Lennon's Childhood: Double Desertion  Aunt Mimi and Mendips  The Skiffle Craze  John Meets Paul McCartney  Paul as a Young Boy  Chapter Two 28(22) The Scene at the ``Jac''  Stu Sutcliffe  Baby George Harrison Joins the Beat Scene  Johnny and the Moondogs on the Circuit  Hamburg, a Sexual Disneyland  Johnny and the Moondogs Become the Beatles  Return to Liverpool and a New Professionalism  Chatper Three 50(26) Brian Epstein: A Stranger in a Strange Land  Brian Discovers the Beatles  Brian Smitten  Under New Management: The Big Image Change  The Recording Contract  Cynthia's Desperate Play  John Marries Cynthia  Chapter Four 76(17) Pete Best Forever---Ringo Never  Richard Starkey's Bit Part  ``From Me to You''  The NEMS Stable Begins  Julian Lennon Is Born  Brian and John Tryst in Spain  Paul Meets Jane Asher  Ringo Meets Maureen Cox  Chatper Five 93(11) London: Sunday Night at the Palladium and the Royal Command Performance  Brian to New York  The Beatles and Company Move to London  Chapter Six 104(15) An American Beachhead: The Ed Sullivan Show  The Seltaeb Fiasco  Chapter Seven 119(16) Swinging London  A Hard Day's Night  George Meets Pattie Boyd  John In His Own Write  Brian's Cellarful of Noise  Paul's Pocketful of Lawsuits  Chapter Eight 135(16) The Bon Voyage Party  First American Assault  Bob Dylan and the Great Turn-On  Nat Weiss  Brian Blows a Fuse  Chapter Nine 151(18) Kenwood  Ringo Becomes a Daddy  Help! and the Great Tax Dodge  Have a Sugar Cube  NEMS Branches Out  The Saville Theater  Brian's Discontent: Enter Dizz  The Beatles at the Palace  Chapter Ten 169(12) Aunt Mimi Gets a House  The Second American Tour  The L.A. Acid Trip  Dizz Gets a Car  Chapter Eleven 181(20) Splitting Up the Pie  From Black and White to Color: Rubber Soul and Revolver  Tokyo and Manila: Terror on the Road  Brian's Balance Tips  The ``Bigger than Jesus'' Scandal  The Beatles' Third American National Tour  Dizz Gillespie's Coup de Grace  Chapter Twelve 201(18) The Four-headed Hydra  John's Discontent  On the Loose in London  Magic Alex  John Meets Yoko Ono  Brian's Downhill Slide  The Stigwood Deal  Chapter Thirteen 219(32) Paul Discovers America  Brian's Sleepless Sleepcure  Sergeant Pepper's Lonely Hearts Club Band  The Arrival of Linda Eastman  The Kingsley Hill Acid Party  The Haight-Ashbury Hate Trip  The Beatles Go Greek  The Beatles Go India: Introducing the Maharishi  The Final Demise of Brian Epstein  Chapter Fourteen 251(19) The Magical Mystery Tour  The Seeds of Apple  From Here to the Himalayas: The Untold Story of Rishikesh  Escape from India  John's Confession D'Amour  Chapter Fifteen 270(21) Yoko in the Limelight  A Messy Divorce  John and Yoko Retreat: The Heroin Days  Paul McCartney's Black and White Minstrel Show  Jane Asher Makes a Nasty Discovery  The Apple Pie: A Piece for Everyone  The White Album  Chapter Sixteen 291(10) Targets of the People: John and Yoko on the Cross  Two Virgins  Won't You Please Let It Be  Chapter Seventeen 301(24) Eastman and Eastman Meet the Beatles  Allen Klein Meets the Beatles and Eastman and Eastman  The NEMS Battle  The Setup of Pattie and George  John and Yoko's Quickie Wedding  Peace: The Amsterdam Bed-in  A Call to Arms: The Northern Songs Battle  The Only Winner Is Klein  Chapter Eighteen 325(28) The Power of Publicity: John and Yoko Go Public  ``Cold Turkey''  Toronto Rock and Roll Festival  John Off the Edge  In Pursuit of Peace and Kyoko in Denmark  John Discovers Dr. Janov  John and Yoko Discover L.A.  Paul Is Dead but Alive and Well in Scotland  McCartney, Abbey Road and Let It Be  And in the End  Chapter Nineteen 353(22) George, Ringo, and Paul---From Then Till Now  Chapter Twenty 375(21) The Search for Kyoko  John and Yoko Discover New York  John and the White House Follies  Uncle Sam Wants You Out  Paranoia Runs Deep  The L.A. Lost Weekend: 18 Months in Hell  Together Again  Chapter Twenty-One 396(11) The Househusband Years: John as a Father  The Dakota Hermitage  The Big Comeback: Starting Over  Mark David Chapman  The Spirit of Yoko Ono Index 407  SynopsisA close friend and business manager for the legendary group portrays the personal lives of the members of the Beatles, from their youth in Liverpool to their rise to success in the world of pop music to the death of John Lennon in 1980. Reprint.

2002

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7,50€

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washington coliseum concert live 64

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CARTEL 30X40 CONCIERTO. REPRODUCCION DEL HISTORICO CARTEL - CONCIERTO, Impreso en papel grueso de calidad Extra !!! .... OFERTA !!! ..COMPRA 4 CARTELES POR SOLO 30 EUR !!! puedes elegirlos entre todas las ref que ofrecemos. ** TAMBIEN PODEMOS ENVIARTE EL CARTEL ENMARCADO POR 25 EUR, ( MARCO DE ALUMINIO Y VIDRIO )CONTACTA CON NOSOTROS SI ES LO QUE QUIERES. OFERTA - 2 CARTELES ENMARCADOS X 40 EUR Decora las paredes con tus carteles, posters favoritos. Excelente articulo, solido marco de alumino y cristal, nada que ver con otras versiones con marcos de plastico y metacrilato imitando vidrio. Para tamaño A4. 30x40 cm, Cuélgalo de pie, bien en horizontal o en vertical; se adapta al espacio disponible ESTE ARTICULO NO ENTRA EN LA OFERTA DE ENVIO GRATUITO A SUPERAR LOS 60 EUR DE COMPRA Medidas de los productos Ancho: 31 cm Altura: 41 cm ancho de lámina: 30 cm alto de lámina: 40 cm Descripción del producto Marco: Aluminio Protector de frente: Vidrio

9,00€

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beatles siluetas

CAMISETA !!

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2010

18,00 €

14,99€

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please please me

CAMISETA !!

TALLA XL, 100% OFFICIAL MERCHANDISE, 100% ALGODON.se envia dentro de su funda original precintada de la marca bravado. BRAVADO Internacional Group, reconocida como la empresa #1 en el rubro de merchandise musical del mundo.BRAVADO es una organización líder, la única compañía realmente global que diseña, produce y comercializa una extensa gama de productos para los importantes artistas que integran su STOCK.se envia dentro de su funda original precintada de la marca bravado.BRAVADO Internacional Group, reconocida como la empresa #1 en el rubro de merchandise musical del mundo.BRAVADO es una organización líder, la única compañía realmente global que diseña, produce y comercializa una extensa gama de productos para los importantes artistas que integran su STOCK. se envia dentro de su funda original precintada de la marca bravado.BRAVADO Internacional Group, reconocida como la empresa #1 en el rubro de merchandise musical del mundo.BRAVADO es una organización líder, la única compañía realmente global que diseña, produce y comercializa una extensa gama de productos para los importantes artistas que integran su STOCK. se envia dentro de su funda original precintada de la marca bravado.BRAVADO Internacional Group, reconocida como la empresa #1 en el rubro de merchandise musical del mundo.BRAVADO es una organización líder, la única compañía realmente global que diseña, produce y comercializa una extensa gama de productos para los importantes artistas que integran su STOCK. se envia dentro de su funda original precintada de la marca bravado.BRAVADO Internacional Group, reconocida como la empresa #1 en el rubro de merchandise musical del mundo.BRAVADO es una organización líder, la única compañía realmente global que diseña, produce y comercializa una extensa gama de productos para los importantes artistas que integran su STOCK.

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shea stadium concert 23 aug. 1966

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ABC Theatre, Blackpool, Lancashire july 1963

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odeon, manchester 30 may. 1963

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Butcher Cover * Capitol Ad Poster 1966

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Sgt. Pepper, Capitol Poster 1967

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Photo Promotional Window Card Poster 1965

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Yellow Submarine* USA Movie Promotional Window Card

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